Pharmakon + Kollaps + Lana Del Rabies @HushHush

The Hush Hush Club presenterar Pharmakon + Kollaps + Lana del Pabies. Dörrar: 18:00 18+

Här kan ni kolla in Pharmakon: https://www.youtube.com/watch?v=BPYV_pjFOUk Här kan ni kolla in Kollaps: https://www.youtube.com/watch?v=qdzLCxeIBp0 Här kan ni kolla in Lana Del Rabies: https://www.youtube.com/watch?v=LFzeRa4ml78

PHARMAKON Margaret Chardiet is an interdisciplinary sound artist born and based in New York City. Raised by underground musicians and artists, Margaret was surrounded by a collective of the city’s impassioned, cultural detritus. Instead of following a path of higher education, she began the experimental project Pharmakon in 2006, at the age of 16. Pharmakon as a project, entity, and process, has evolved and exists in true protean form, developing alongside (or more so within) Margaret’s personal experience and auto-didactic philosophies. Her work as a whole is a forced self-possession, a celebration of ferality and viscereality, which performatively abandons a society that has never accepted anything it couldn’t also exploit. Chardiet uses electronic synthesis as a tool to transfer this self-possession physiologically and intra-spatially into the bodies of their audience. Timbre becomes temper. Ferality, a social contagion or biorhythm. Margaret has also played in numerous punk groups that extend out to a greater international D.I.Y. music community, and has composed score and original music for the films Transfiguration (2017), and Sound of Metal (2019).

KOLLAPS Until The Day I Die is Kollaps’ third LP for Cold Spring Records. The record, set for release in June 2022, is merciless and visceral assault on the senses and continues the trajectory of the band’s idiosyncratic approach in their creation of sound. Until The Day I Die is an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; violence, romanticism, sexuality, and addiction. Much of the creation and lyrical conceptualisation of the record has been stylised and presented by the use of William S. Burroughs’ cut-up method.

A wide variety of metals and raw materials were used in the creation of the album including metal grates, a rusted hoist, cement cylinders, field recordings, hammering of various decrepit objects, broken amplifiers, an exposed reverb tank, various synthesizers, and the infamous metal coil; a crudely self-constructed artifice that has become iconic in its use across Kollaps’ triptych of releases and lengthy touring history in Europe, Australia and New Zealand.

LANA DEL RABIES Lana Del Rabies, conceived by Phoenix, Arizona -based artist Sam An, is a captivating force in underground dark electronic and fringe heavy music. Merging industrial, gothic noise, and metal with experimental elements, LanaDel Rabies explores the esoteric brutality of what it means to be human in a world consumed by the threat of apocalypse. She is known for her intense and immersing live performances that hold the audience in captive catharsis.

Her first two albums, "In The End I Am A Beast" and "Shadow World," released by Los Angeles label Deathbomb Arc, showcase Lana Del Rabies' futuristic goth sound, addressing American society's growing PTSD with a stark, spectral voice.

Her third album, "STREGA BEATA," on Gilgongo Records, has earned acclaim from The Quietus, Metal Hammer, DJ Mag, and more. Described as constructively destructive, Lana Del Rabies' music outcries from beyond,, with surprising melodic and melancholic moments emerging from the noise and anguish.

Praised by critics for her unique blend of quietly macabre and wildly maximalist music, Lana Del Rabies' sonic journey, is a potent, beautiful, and darkly transcendent experience.

Known for her visceral performances and engaging multimedia live shows, she has toured North America and the EU over the past 7 years as a headliner and with acts including 3 Teeth and Author and Punisher.